Through the fusion of digital art and ancient printing techniques, this project create a dense and psychological universe, woven with inner visions and unusual existential temperatures.

An intimate visual journey through fleeting moments, stretching memories, evaporating dreams, and intense flashes that give way to transformation.

This collection of works—created by blending photography, painting, and digital art—forms the narrative of an unexpected time, a period marked by lessons, disorientation, and sudden illuminations. My work speaks of the subjectivity of experiences and memory. Of the fragile substance of reality. Of encounters and moments that serve as containers of shadows, beams of projected light. Of how we imagine one another without sometimes ever truly seeing each other. My pieces translate shared moments seen through uneven, deeply personal magnifying lenses. They are direct representations of subjectivity, eluding objective experience without hesitation—reversed impressions transformed into images. They are so immediate that they become symbols, existential imprints exploring the path that connects to the universal. Each fragment represents the dialogue between reality and imagination, between hope and aversion, between the chaos of emotions and the search for balance. A journey that, fragment by fragment, leads me to dissolve the mists of invention to finally recognize who I have always been.

The works have been printed by Andrea Mosso using the AMOS technique, an invention of his own. The AMOS technique aims to replicate, by emulating its results, the "Transfer" and "Transfer Lift", a printing technique adopted by Polaroid. The AMOS technique simplifies the process, overcomes many limitations imposed by the old material (now running out), and expands its fields of application—from photography to graphics, from design to decoration. The process consists of transferring digitally processed and modified data via inkjet printers/plotters onto a matrix material. Subsequently, through a chemical process, the resin containing the embedded pigments is detached, repositioned, and manipulated. From the original support, the image is then transferred onto any new medium, in this case, cotton paper.